| Explainable computational creativity MT Llano, M d'Inverno, M Yee-King, J McCormack, A Ilsar, A Pease, ... arXiv preprint arXiv:2205.05682, 2022 | 41 | 2022 |
| Infosonics: Accessible infographics for people who are blind using sonification and voice LM Holloway, C Goncu, A Ilsar, M Butler, K Marriott Proceedings of the 2022 CHI Conference on Human Factors in Computing Systems …, 2022 | 27 | 2022 |
| Inclusive improvisation through sound and movement mapping: from DMI to ADMI A Ilsar, G Kenning Proceedings of the 22nd International ACM SIGACCESS Conference on Computers …, 2020 | 14 | 2020 |
| Reimagining (accessible) digital musical instruments: a survey on electronic music-making tools E Frid, A Ilsar NIME 2021, 2021 | 11 | 2021 |
| Improvisation and reciprocal design: Soundplay for dementia G Kenning, A Ilsar, R Brankaert, M Evans Dementia Lab Conference, 82-91, 2019 | 10 | 2019 |
| The AirSticks: a new instrument for live electronic percussion within an ensemble AA Ilsar | 8 | 2018 |
| Evaluating the performance of a new gestural instrument within an ensemble A Ilsar, M Havryliv, A Johnston New Interfaces for Musical Expression 2014, 339-442, 2014 | 8 | 2014 |
| Choreography in the mapping of new instruments A Ilsar, A Johnston Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition …, 2015 | 7 | 2015 |
| AirSticks 2.0: Instrument design for expressive gestural interaction S Trolland, A Ilsar, C Frame, J McCormack, E Wilson NIME 2022, 2022 | 4 | 2022 |
| A new audio-visual gestural instrument for unlocking creativity A Ilsar, M Hughes Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing …, 2020 | 4 | 2020 |
| Inclusive improvisation: exploring the line between listening and playing music A Ilsar, G Kenning, S Trolland, C Frame ACM Transactions on Accessible Computing (TACCESS) 15 (2), 1-21, 2022 | 3 | 2022 |
| Practice-based research at SensiLab J McCormack, A Ilsar, T Chandler, M Yeates, E Wilson, CC Gambardella, ... The Routledge International Handbook of Practice-Based Research, 92-106, 2021 | 3 | 2021 |
| The airsticks: a new interface for electronic percussionists A Ilsar, M Havryliv, A Johnston SMC’11 2013, 220-226, 2013 | 3 | 2013 |
| Harmony across Music, visuals and movement in a new audio-visual gestural performance A Ilsar, M Hughes Proceedings of the Fourteenth International Conference on Tangible, Embedded …, 2020 | 2 | 2020 |
| 'AirStorm,' A New Piece for AirSticks and Storm: Gestural Audio-Visual for Electronic Percussionists A Ilsar, A Bluff Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition …, 2015 | 2 | 2015 |
| 'I & I,' a new piece for the AirSticks: a new interface for electronic percussionists A Ilsar, M Havryliv, A Johnston Proceedings of the 9th ACM Conference on Creativity & Cognition, 394-395, 2013 | 2 | 2013 |
| Mutable gestures: A new animated notation system for conductor and chamber ensemble C Frame, A Ilsar, S Trolland Proceedings of the International Conference on Technologies for Music …, 2022 | 1 | 2022 |
| Gestural Interactions with Object-Based Audio in an Internet of Sounds Ecosystem K Mikolajczyk, S Trolland, A Ilsar, J McCormack, S Ferguson, O Bown 2023 4th International Symposium on the Internet of Sounds, 1-9, 2023 | | 2023 |
| (Un) real-time A Ilsar, C Frame PubPub, 2022 | | 2022 |
| AirStream: A Collaborative Gestural Virtual Performance A Ilsar, M Hughes PubPub, 2021 | | 2021 |
Andrew JohnstonUniversity of Technology SydneyDirección de correo verificada de uts.edu.au
